about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Fredericks & Mae est un studio de design qui se délecte de l'art du cadeau. Ils s'engagent à mettre au monde des objets qui provoquent des yeux écarquillés, un plaisir inexplicable et des frissons corporels. Un cadeau bien choisi peut être un boulon de connexion - un phare qui nous rappelle nos relations. Ils sont toujours vigilants face à la marchandisation de la joie et aux dangers de l'accumulation matérielle - mais aiment s'entourer de quelques belles choses bien choisies. Chaque manteau est un autel, chaque étagère un sanctuaire, une table basse une collection de choses qui racontent une histoire sur d'où nous venons et où nous voulons aller.
about the designer
Lella and Massimo Vignelli were pivotal figures in the design world, renowned for their clarity and coherence in numerous projects. Massimo started his design journey as a draftsman in Milan, influenced by Adolf Loos’ belief that an architect should design everything from a spoon to a city. Both Lella, born into an architectural family in Udine, and Massimo shared a comprehensive design philosophy, encapsulated in their book "Design is One," emphasizing consistency and timelessness. After their training, they moved to the US, co-founding Unimark International and later starting Vignelli Associates. Their impressive portfolio includes corporate identities for American Airlines and the New York City Transit Authority, as well as graphic design, interiors, furniture, and exhibitions for prestigious institutions. Their legacy is celebrated in museums worldwide, and they were honored with numerous awards, including the National Design Lifetime Achievement award in 2003
about the designer
Lella and Massimo Vignelli were pivotal figures in the design world, renowned for their clarity and coherence in numerous projects. Massimo started his design journey as a draftsman in Milan, influenced by Adolf Loos’ belief that an architect should design everything from a spoon to a city. Both Lella, born into an architectural family in Udine, and Massimo shared a comprehensive design philosophy, encapsulated in their book "Design is One," emphasizing consistency and timelessness. After their training, they moved to the US, co-founding Unimark International and later starting Vignelli Associates. Their impressive portfolio includes corporate identities for American Airlines and the New York City Transit Authority, as well as graphic design, interiors, furniture, and exhibitions for prestigious institutions. Their legacy is celebrated in museums worldwide, and they were honored with numerous awards, including the National Design Lifetime Achievement award in 2003
about the designer
Lella and Massimo Vignelli were pivotal figures in the design world, renowned for their clarity and coherence in numerous projects. Massimo started his design journey as a draftsman in Milan, influenced by Adolf Loos’ belief that an architect should design everything from a spoon to a city. Both Lella, born into an architectural family in Udine, and Massimo shared a comprehensive design philosophy, encapsulated in their book "Design is One," emphasizing consistency and timelessness. After their training, they moved to the US, co-founding Unimark International and later starting Vignelli Associates. Their impressive portfolio includes corporate identities for American Airlines and the New York City Transit Authority, as well as graphic design, interiors, furniture, and exhibitions for prestigious institutions. Their legacy is celebrated in museums worldwide, and they were honored with numerous awards, including the National Design Lifetime Achievement award in 2003
about the designer
Lella and Massimo Vignelli were pivotal figures in the design world, renowned for their clarity and coherence in numerous projects. Massimo started his design journey as a draftsman in Milan, influenced by Adolf Loos’ belief that an architect should design everything from a spoon to a city. Both Lella, born into an architectural family in Udine, and Massimo shared a comprehensive design philosophy, encapsulated in their book "Design is One," emphasizing consistency and timelessness. After their training, they moved to the US, co-founding Unimark International and later starting Vignelli Associates. Their impressive portfolio includes corporate identities for American Airlines and the New York City Transit Authority, as well as graphic design, interiors, furniture, and exhibitions for prestigious institutions. Their legacy is celebrated in museums worldwide, and they were honored with numerous awards, including the National Design Lifetime Achievement award in 2003
about the designer
Anna Castelli Ferrieri est l'incarnation de la philosophie créative italienne qui prône le design « de la petite cuillère à la ville ». Castelli Ferrieri a contribué à la conception des deux. Castelli Ferrieri a commencé à concevoir pour Kartell en 1966, après avoir été choisi comme architecte de son siège social. Célèbre pour son rôle critique dans l'introduction sur le marché de consommation du plastique en tant que matériau acceptable, Kartell a joué un rôle déterminant dans l'arrivée de designers innovants tels que Joe Colombo, Marco Zanuso avec Richard Sapper et Achille Castiglioni. Dans ses propres créations pour Kartell, Castelli Ferrieri a exploité de nouveaux matériaux à travers des formes innovantes. Pour ses éléments de conteneur "4970/84", Castelli Ferrieri a traité le design comme un mini exercice architectural, avec des unités empilables et interchangeables en fonction des besoins du nouveau style de vie des années 1960. Pour ses créations belles et utiles, Castelli Ferrieri a remporté de nombreux prix de design, dont le prestigieux Compasso d'Oro, mais le fait que la plupart de ses pièces soient toujours en production mérite les plus grands éloges.
about the designer
Anna Castelli Ferrieri est l'incarnation de la philosophie créative italienne qui prône le design « de la petite cuillère à la ville ». Castelli Ferrieri a contribué à la conception des deux. Castelli Ferrieri a commencé à concevoir pour Kartell en 1966, après avoir été choisi comme architecte de son siège social. Célèbre pour son rôle critique dans l'introduction sur le marché de consommation du plastique en tant que matériau acceptable, Kartell a joué un rôle déterminant dans l'arrivée de designers innovants tels que Joe Colombo, Marco Zanuso avec Richard Sapper et Achille Castiglioni. Dans ses propres créations pour Kartell, Castelli Ferrieri a exploité de nouveaux matériaux à travers des formes innovantes. Pour ses éléments de conteneur "4970/84", Castelli Ferrieri a traité le design comme un mini exercice architectural, avec des unités empilables et interchangeables en fonction des besoins du nouveau style de vie des années 1960. Pour ses créations belles et utiles, Castelli Ferrieri a remporté de nombreux prix de design, dont le prestigieux Compasso d'Oro, mais le fait que la plupart de ses pièces soient toujours en production mérite les plus grands éloges.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
Anna Castelli Ferrieri est l'incarnation de la philosophie créative italienne qui prône le design « de la petite cuillère à la ville ». Castelli Ferrieri a contribué à la conception des deux. Castelli Ferrieri a commencé à concevoir pour Kartell en 1966, après avoir été choisi comme architecte de son siège social. Célèbre pour son rôle critique dans l'introduction sur le marché de consommation du plastique en tant que matériau acceptable, Kartell a joué un rôle déterminant dans l'arrivée de designers innovants tels que Joe Colombo, Marco Zanuso avec Richard Sapper et Achille Castiglioni. Dans ses propres créations pour Kartell, Castelli Ferrieri a exploité de nouveaux matériaux à travers des formes innovantes. Pour ses éléments de conteneur "4970/84", Castelli Ferrieri a traité le design comme un mini exercice architectural, avec des unités empilables et interchangeables en fonction des besoins du nouveau style de vie des années 1960. Pour ses créations belles et utiles, Castelli Ferrieri a remporté de nombreux prix de design, dont le prestigieux Compasso d'Oro, mais le fait que la plupart de ses pièces soient toujours en production mérite les plus grands éloges.
about the designer
Anna Castelli Ferrieri est l'incarnation de la philosophie créative italienne qui prône le design « de la petite cuillère à la ville ». Castelli Ferrieri a contribué à la conception des deux. Castelli Ferrieri a commencé à concevoir pour Kartell en 1966, après avoir été choisi comme architecte de son siège social. Célèbre pour son rôle critique dans l'introduction sur le marché de consommation du plastique en tant que matériau acceptable, Kartell a joué un rôle déterminant dans l'arrivée de designers innovants tels que Joe Colombo, Marco Zanuso avec Richard Sapper et Achille Castiglioni. Dans ses propres créations pour Kartell, Castelli Ferrieri a exploité de nouveaux matériaux à travers des formes innovantes. Pour ses éléments de conteneur "4970/84", Castelli Ferrieri a traité le design comme un mini exercice architectural, avec des unités empilables et interchangeables en fonction des besoins du nouveau style de vie des années 1960. Pour ses créations belles et utiles, Castelli Ferrieri a remporté de nombreux prix de design, dont le prestigieux Compasso d'Oro, mais le fait que la plupart de ses pièces soient toujours en production mérite les plus grands éloges.
about the designer
Alessandra Baldereschi was born in Milan in 1975 and graduated with a master's degree from the Domus Academy in Milan in 2000. Her projects range from bijoux and fashion to lighting and furnishings. She has taken part in various editions of the Salone Satellite. Her experimental Bosco series, seating and rugs with natural leaves and moss, is part of the Dilmos Edizioni collection. Her exhibitions include: the Biennial in Saint Etienne, Inside Amsterdam, the Seoul Design Festival and the Moss gallery in New York. She has a fresh new narrative talent fuelled by naturalistic references.
about the designer
Alessandra Baldereschi was born in Milan in 1975 and graduated with a master's degree from the Domus Academy in Milan in 2000. Her projects range from bijoux and fashion to lighting and furnishings. She has taken part in various editions of the Salone Satellite. Her experimental Bosco series, seating and rugs with natural leaves and moss, is part of the Dilmos Edizioni collection. Her exhibitions include: the Biennial in Saint Etienne, Inside Amsterdam, the Seoul Design Festival and the Moss gallery in New York. She has a fresh new narrative talent fuelled by naturalistic references.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.