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Anna Castelli Ferrieri

Kartell Componibili

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

Anna Castelli Ferrieri

Kartell Componibili

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

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Anna Castelli Ferrieri

Kartell Componibili Square

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

Anna Castelli Ferrieri

Kartell Componibili Square

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

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Anna Castelli Ferrieri

Kartell Componobili Bio

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

Anna Castelli Ferrieri

Kartell Componobili Bio

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

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Giotto Stoppino

SQ8438511

Magazine Rack by Giotto Stoppino

about the designer

Giotto Stoppino was born in Vigevano (PV) in 1926, Italian architect and designer is known for being among the first designers to use plastic in his projects and products made famous by companies such as Kartell. A pupil of Ernesto Nathan Rogers, among the inspiring exponents of the neoliberty, after finishing his studies at the Iuav University of Venice and at the Polytechnic of Milan, in 1953 he was associated with the architects Vittorio Gregotti and Lodovico Meneghetti (Architetti Associati 1953-1968, Novara) . Since 1970 he has been present in the permanent collection of the MoMA, Museum of Modern Art in New York with the 537 lamp by Arteluce, while the Sheraton furniture has been present since 1981 in the permanent collection of the Victoria and Albert Museum in London, his other projects are exhibited in museums of Monaco and Chicago.

Giotto Stoppino

SQ8438511

Magazine Rack by Giotto Stoppino

about the designer

Giotto Stoppino was born in Vigevano (PV) in 1926, Italian architect and designer is known for being among the first designers to use plastic in his projects and products made famous by companies such as Kartell. A pupil of Ernesto Nathan Rogers, among the inspiring exponents of the neoliberty, after finishing his studies at the Iuav University of Venice and at the Polytechnic of Milan, in 1953 he was associated with the architects Vittorio Gregotti and Lodovico Meneghetti (Architetti Associati 1953-1968, Novara) . Since 1970 he has been present in the permanent collection of the MoMA, Museum of Modern Art in New York with the 537 lamp by Arteluce, while the Sheraton furniture has been present since 1981 in the permanent collection of the Victoria and Albert Museum in London, his other projects are exhibited in museums of Monaco and Chicago.

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Chiaozza

Chiaozza Wall Hooks

about the designer

CHIAOZZA (pronounced “CHOW-zah”) is the collaborative studio of artists Adam Frezza and Terri Chiao. Based in New York City since 2011, the duo’s work explores play and craft across a range of mediums, including painted sculpture, installation, works on paper, public art, and set design. They have exhibited in solo shows at Wave Hill in The Bronx, NY; Vox Populi in Philadelphia, PA; Long Island University in Brooklyn, NY; Owen James Gallery in New York, NY; Cooler Gallery in Brooklyn, NY; CY Fiore in New York, NY; and Westchester Community College in Valhalla, NY, along with numerous group shows in the U.S. and internationally. The studio has installed public artworks in New York City and Gainesville, FL. Together, Frezza and Chiao have been artists-in-residence at Villa Lena (Tuscany, Italy), Kökarkultur (Kökar, Finland), Starry Night (Truth or Consequences, NM), The School of Making Thinking (Delancey, NY), The Lloyd Library (Cincinnati, OH), BRIC Media Arts (Brooklyn, NY), and Shell House Arts (Roxbury, NY),. In 2017, they installed an acre-spanning sculpture garden with 32 large-scale works for the Coachella Arts & Music Festival in Indio, CA.

Chiaozza

Chiaozza Wall Hooks

about the designer

CHIAOZZA (pronounced “CHOW-zah”) is the collaborative studio of artists Adam Frezza and Terri Chiao. Based in New York City since 2011, the duo’s work explores play and craft across a range of mediums, including painted sculpture, installation, works on paper, public art, and set design. They have exhibited in solo shows at Wave Hill in The Bronx, NY; Vox Populi in Philadelphia, PA; Long Island University in Brooklyn, NY; Owen James Gallery in New York, NY; Cooler Gallery in Brooklyn, NY; CY Fiore in New York, NY; and Westchester Community College in Valhalla, NY, along with numerous group shows in the U.S. and internationally. The studio has installed public artworks in New York City and Gainesville, FL. Together, Frezza and Chiao have been artists-in-residence at Villa Lena (Tuscany, Italy), Kökarkultur (Kökar, Finland), Starry Night (Truth or Consequences, NM), The School of Making Thinking (Delancey, NY), The Lloyd Library (Cincinnati, OH), BRIC Media Arts (Brooklyn, NY), and Shell House Arts (Roxbury, NY),. In 2017, they installed an acre-spanning sculpture garden with 32 large-scale works for the Coachella Arts & Music Festival in Indio, CA.

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Ludovica + Roberto Palomba

Max Beam Table

about the designer

Ludovica+Roberto Palomba, architects and designers, founded Palomba Serafini Associati in 1994, based in Milan. The high quality of their project is their distinctive mark. They collaborate with the most prestigious design brands all over the world and the majority of their products designed since 1994 is still in production. Numerous awards such as Compasso D’Oro, Red Dot Award, Design Plus Award, Product Innovation Award, German Design Award, Elle Decoration International Design Award attest to their work. “Our goal is to design free projects, able to interact in an evident and immediate way with people who choose them. Our success is measured by the amount of persons worldwide who have chosen to share their lives intimately with our products.” Ludovica+Roberto Palomba currently develop important residential architecture, contract, interior and yachting.

Ludovica + Roberto Palomba

Max Beam Table

about the designer

Ludovica+Roberto Palomba, architects and designers, founded Palomba Serafini Associati in 1994, based in Milan. The high quality of their project is their distinctive mark. They collaborate with the most prestigious design brands all over the world and the majority of their products designed since 1994 is still in production. Numerous awards such as Compasso D’Oro, Red Dot Award, Design Plus Award, Product Innovation Award, German Design Award, Elle Decoration International Design Award attest to their work. “Our goal is to design free projects, able to interact in an evident and immediate way with people who choose them. Our success is measured by the amount of persons worldwide who have chosen to share their lives intimately with our products.” Ludovica+Roberto Palomba currently develop important residential architecture, contract, interior and yachting.

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Simon Legald

Bit Stool

about the designer

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually.

Simon Legald

Bit Stool

about the designer

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually.

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Anna Castelli Ferrieri

Kartell Componobili Metallic

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

Anna Castelli Ferrieri

Kartell Componobili Metallic

about the designer

Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.

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Martine Bedin for Memphis Milano

Super Table Lamp

about the designer

Martine Bedin is an industrial designer, artist, architect and teacher. She studied Architecture at the École d’architecture in Paris. In 1978 she received a scholarship that took her to Florence, where she met the members of the Radical Architecture movement: the founders of Alchimia, Superstudio and Archizoom Associati. The founder of Superstudio, Adolfo Natalini, invited her to exhibit ‘The Decorated House’ at the Milan Triennale in 1979, where she met Michele De Lucchi and Ettore Sottsass. At the beginning of the ’80s she spent two years in Sottsass’s studio, working on her own projects and writing for a French design and architecture magazine. In 1981 she was among the co-founders of the Memphis Group. Bedin works with various materials, such as marble, wood, metal, and ceramics. Her work is exhibited in major museums and private collections, such as the Musée des Arts Décoratifs in Paris, the Victoria & Albert Museum in London and the Manufacture Nationale de Sèvre.

Martine Bedin for Memphis Milano

Super Table Lamp

about the designer

Martine Bedin is an industrial designer, artist, architect and teacher. She studied Architecture at the École d’architecture in Paris. In 1978 she received a scholarship that took her to Florence, where she met the members of the Radical Architecture movement: the founders of Alchimia, Superstudio and Archizoom Associati. The founder of Superstudio, Adolfo Natalini, invited her to exhibit ‘The Decorated House’ at the Milan Triennale in 1979, where she met Michele De Lucchi and Ettore Sottsass. At the beginning of the ’80s she spent two years in Sottsass’s studio, working on her own projects and writing for a French design and architecture magazine. In 1981 she was among the co-founders of the Memphis Group. Bedin works with various materials, such as marble, wood, metal, and ceramics. Her work is exhibited in major museums and private collections, such as the Musée des Arts Décoratifs in Paris, the Victoria & Albert Museum in London and the Manufacture Nationale de Sèvre.

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George Sowden for Memphis Milano

Palace Chair by George Sowden

about the designer

George J. Sowden is a designer and product developer. He studied Architecture at Gloucestershire College of Art in the ‘60s. He moved to Milano in 1970 where he started working with Ettore Sottsass and Olivetti. In 1981, he was one of the co-founders of the Memphis Group. In the same year he founded his design studio through which he developed his activity as a consultant for industrial design, while continuing to develop his research work. In 2010 he founded the SOWDEN brand. Sowden’s interest in working with craftsmen and small companies, as well as in the practice of design and decoration, began in the 1970s and continues to this day. In 1990 his experimentation and research are objects of the exhibition “George J. Sowden Designing 1970–1990” organized by the Musée des Arts décoratifs et du Design in Bordeaux.

George Sowden for Memphis Milano

Palace Chair by George Sowden

about the designer

George J. Sowden is a designer and product developer. He studied Architecture at Gloucestershire College of Art in the ‘60s. He moved to Milano in 1970 where he started working with Ettore Sottsass and Olivetti. In 1981, he was one of the co-founders of the Memphis Group. In the same year he founded his design studio through which he developed his activity as a consultant for industrial design, while continuing to develop his research work. In 2010 he founded the SOWDEN brand. Sowden’s interest in working with craftsmen and small companies, as well as in the practice of design and decoration, began in the 1970s and continues to this day. In 1990 his experimentation and research are objects of the exhibition “George J. Sowden Designing 1970–1990” organized by the Musée des Arts décoratifs et du Design in Bordeaux.

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Ettore Sottsass for Memphis Milano

Mimosa Table by Memphis Milano

about the designer

Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.

Ettore Sottsass for Memphis Milano

Mimosa Table by Memphis Milano

about the designer

Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.

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Michele De Lucchi

Oceanic Table Lamp

Michele De Lucchi

Oceanic Table Lamp

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HAY

SQ7655849

Eclectic Cushion

HAY

SQ7655849

Eclectic Cushion

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Maarten van Severen

LCP Lounge Chair

about the designer

Maarten Van Severen studied architecture at the Art Academy in Ghent. He designed his first furniture pieces in 1986 and in the following year established an independent workshop, where he pursued the limited, semi-industrial production of his own furniture designs. In 1990, he began to collaborate closely with Rem Koolhaas and also turned his attention to interior design tasks. The beginning of Maarten Van Severen's collaboration with Vitra in 1996 marked a new phase in his career. It offered him the opportunity to work with new materials and also brought a much wider degree of exposure and influence. Until his death in 2005 in Ghent, Maarten Van Severen developed a range of new designs for Vitra, which have progressively entered series production.

Maarten van Severen

LCP Lounge Chair

about the designer

Maarten Van Severen studied architecture at the Art Academy in Ghent. He designed his first furniture pieces in 1986 and in the following year established an independent workshop, where he pursued the limited, semi-industrial production of his own furniture designs. In 1990, he began to collaborate closely with Rem Koolhaas and also turned his attention to interior design tasks. The beginning of Maarten Van Severen's collaboration with Vitra in 1996 marked a new phase in his career. It offered him the opportunity to work with new materials and also brought a much wider degree of exposure and influence. Until his death in 2005 in Ghent, Maarten Van Severen developed a range of new designs for Vitra, which have progressively entered series production.

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Ettore Sottsass for Kartell

SQ5853816

Calice Vase by Ettore Sottsass

about the designer

Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.

Ettore Sottsass for Kartell

SQ5853816

Calice Vase by Ettore Sottsass

about the designer

Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.

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Ettore Sottsass for Kartell

SQ0308787

Colonna Stool by Ettore Sottsass

about the designer

Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.

Collona Stool by Ettore Sottsass - Son of Rand
Collona Stool by Ettore Sottsass - Son of Rand
Collona Stool by Ettore Sottsass - Son of Rand
Collona Stool by Ettore Sottsass - Son of Rand