Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Artbook

Donald Judd Spaces

Regular price$100.00
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This newly expanded edition presents an unprecedented visual survey of Donald Judd’s living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a 19th-century cast-iron building in Manhattan, to Ayala de Chinati, an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and land surrounding the buildings that comprise Judd’s extant living and working spaces stewarded by Judd Foundation. Each space was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.

Binding: Hardcover
Dimensions: 9 × 12 in (22.9 × 30.5 cm)
Pages: 432
Published by Judd Foundation

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about the designer

Donald Judd was an American artist, whose rejection of both traditional painting and sculpture led him to a conception of art built upon the idea of the object as it exists in the environment. Judd's works belong to the Minimalist movement, whose goal was to rid art of the Abstract Expressionists' reliance on the self-referential trace of the painter in order to form pieces that were free from emotion. To accomplish this task, artists such as Judd created works comprising of single or repeated geometric forms produced from industrialized, machine-made materials that eschewed the artist's touch. Judd's geometric and modular creations have often been criticized for a seeming lack of content; it is this simplicity, however, that calls into question the nature of art and that posits Minimalist sculpture as an object of contemplation, one whose literal and insistent presence informs the process of beholding.

Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Donald Judd Spaces
Artbook

Donald Judd Spaces

Regular price$100.00
/
Shipping calculated at checkout.
  • SSL secured payment processing
  • Take 10 percent off your first order with code NEWFRIENDS
  • Only a few remaining
This newly expanded edition presents an unprecedented visual survey of Donald Judd’s living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a 19th-century cast-iron building in Manhattan, to Ayala de Chinati, an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and land surrounding the buildings that comprise Judd’s extant living and working spaces stewarded by Judd Foundation. Each space was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.

Binding: Hardcover
Dimensions: 9 × 12 in (22.9 × 30.5 cm)
Pages: 432
Published by Judd Foundation

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

about the designer

Donald Judd was an American artist, whose rejection of both traditional painting and sculpture led him to a conception of art built upon the idea of the object as it exists in the environment. Judd's works belong to the Minimalist movement, whose goal was to rid art of the Abstract Expressionists' reliance on the self-referential trace of the painter in order to form pieces that were free from emotion. To accomplish this task, artists such as Judd created works comprising of single or repeated geometric forms produced from industrialized, machine-made materials that eschewed the artist's touch. Judd's geometric and modular creations have often been criticized for a seeming lack of content; it is this simplicity, however, that calls into question the nature of art and that posits Minimalist sculpture as an object of contemplation, one whose literal and insistent presence informs the process of beholding.

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