about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Corrado Dotti collaborated with Matteo Thun and Partners for clients as Aprica, Gedy, Technogym, Leucas and Rapsel, in 2002 he joined the Armani Casa team. In 2006 he is art director for Natuzzi, creating its new collections. Since 2010, working as free-lancer in the field of industrial design and interior design.
about the designer
Corrado Dotti collaborated with Matteo Thun and Partners for clients as Aprica, Gedy, Technogym, Leucas and Rapsel, in 2002 he joined the Armani Casa team. In 2006 he is art director for Natuzzi, creating its new collections. Since 2010, working as free-lancer in the field of industrial design and interior design.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
about the designer
Chen Chen & Kai Williams is a New York-based design studio working in furniture, products, interiors and mixed materials. The company was first established as an experimental design space in 2011 by Pratt graduates Chen Chen and Kai Williams - their work backgrounds undoubtedly contributing to their playful, yet functional products (Chen through his time at the former New York concept store Moss and Williams with his experience at Tom Sachs’ studio).
about the designer
Chen Chen & Kai Williams is a New York-based design studio working in furniture, products, interiors and mixed materials. The company was first established as an experimental design space in 2011 by Pratt graduates Chen Chen and Kai Williams - their work backgrounds undoubtedly contributing to their playful, yet functional products (Chen through his time at the former New York concept store Moss and Williams with his experience at Tom Sachs’ studio).
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Founded in 1989 by Sir Terence Conran, the museum is the place in the UK where the design industry, education and the public come together to change the way people think about themselves and the future. The museum relocated to a spectacular modern landmark in Kensington in 2016, where it has welcomed over 2 million visitors since reopening and was awarded European Museum of the Year 2018. Its collection, publishing, events, exhibitions, learning and digital programmes invite everyone to experience and reflect on the impact of design.
about the designer
Founded in 1989 by Sir Terence Conran, the museum is the place in the UK where the design industry, education and the public come together to change the way people think about themselves and the future. The museum relocated to a spectacular modern landmark in Kensington in 2016, where it has welcomed over 2 million visitors since reopening and was awarded European Museum of the Year 2018. Its collection, publishing, events, exhibitions, learning and digital programmes invite everyone to experience and reflect on the impact of design.
about the designer
Senseum is an experimental fragrance studio based in Austin, Texas. They collaborate with renowned makers + noses across the globe to tell stories through their collection limited edition scents.
about the designer
Senseum is an experimental fragrance studio based in Austin, Texas. They collaborate with renowned makers + noses across the globe to tell stories through their collection limited edition scents.
about the designer
Maarten Van Severen studied architecture at the Art Academy in Ghent. He designed his first furniture pieces in 1986 and in the following year established an independent workshop, where he pursued the limited, semi-industrial production of his own furniture designs. In 1990, he began to collaborate closely with Rem Koolhaas and also turned his attention to interior design tasks. The beginning of Maarten Van Severen's collaboration with Vitra in 1996 marked a new phase in his career. It offered him the opportunity to work with new materials and also brought a much wider degree of exposure and influence. Until his death in 2005 in Ghent, Maarten Van Severen developed a range of new designs for Vitra, which have progressively entered series production.
about the designer
Maarten Van Severen studied architecture at the Art Academy in Ghent. He designed his first furniture pieces in 1986 and in the following year established an independent workshop, where he pursued the limited, semi-industrial production of his own furniture designs. In 1990, he began to collaborate closely with Rem Koolhaas and also turned his attention to interior design tasks. The beginning of Maarten Van Severen's collaboration with Vitra in 1996 marked a new phase in his career. It offered him the opportunity to work with new materials and also brought a much wider degree of exposure and influence. Until his death in 2005 in Ghent, Maarten Van Severen developed a range of new designs for Vitra, which have progressively entered series production.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Marco Zanini graduated in Architecture from the University of Florence in 1976 and completed his studies in the United States. In 1977 he began collaborating with Ettore Sottsass in Milan. Zanini was one of the co-founders of Memphis in 1981, and designed works for all the collections. He designs ceramics, jewelry, furniture, and blown-glass objects. Founder together with Sottsass of Sottsass Associati, he is the Design Manager for many projects: office furniture for well-known brands, residential interiors, showroom interiors, exhibition design, street furniture and industrial products for a wide range of clients in Italy and abroad. He works as architect and designer in Japan, the United States, Australia, New Zealand, Colombia, Chile, and Spain. His works are to be found in numerous museums and private collections. Zanini holds frequent conferences on industrial design. Today he lives and works in São Paulo, Brazil.
about the designer
Marco Zanini graduated in Architecture from the University of Florence in 1976 and completed his studies in the United States. In 1977 he began collaborating with Ettore Sottsass in Milan. Zanini was one of the co-founders of Memphis in 1981, and designed works for all the collections. He designs ceramics, jewelry, furniture, and blown-glass objects. Founder together with Sottsass of Sottsass Associati, he is the Design Manager for many projects: office furniture for well-known brands, residential interiors, showroom interiors, exhibition design, street furniture and industrial products for a wide range of clients in Italy and abroad. He works as architect and designer in Japan, the United States, Australia, New Zealand, Colombia, Chile, and Spain. His works are to be found in numerous museums and private collections. Zanini holds frequent conferences on industrial design. Today he lives and works in São Paulo, Brazil.
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
The team behind CRA-YON has been creating award winning perfumes for over 12 years in the luxury perfume business. Their focus lies on perfecting the art of perfume making without compromise when it comes to ingredients. They stripped down all excessive elements often used in luxury packaging in order to offer a sustainable and refined packaging design without breaking the bank. CRA-YONs fragrances have been profiled in the pages of Vogue, Elle, and W Magazine and are 100% Vegan.
about the designer
The team behind CRA-YON has been creating award winning perfumes for over 12 years in the luxury perfume business. Their focus lies on perfecting the art of perfume making without compromise when it comes to ingredients. They stripped down all excessive elements often used in luxury packaging in order to offer a sustainable and refined packaging design without breaking the bank. CRA-YONs fragrances have been profiled in the pages of Vogue, Elle, and W Magazine and are 100% Vegan.
about the designer
The team behind CRA-YON has been creating award winning perfumes for over 12 years in the luxury perfume business. Their focus lies on perfecting the art of perfume making without compromise when it comes to ingredients. They stripped down all excessive elements often used in luxury packaging in order to offer a sustainable and refined packaging design without breaking the bank. CRA-YONs fragrances have been profiled in the pages of Vogue, Elle, and W Magazine and are 100% Vegan.
about the designer
The team behind CRA-YON has been creating award winning perfumes for over 12 years in the luxury perfume business. Their focus lies on perfecting the art of perfume making without compromise when it comes to ingredients. They stripped down all excessive elements often used in luxury packaging in order to offer a sustainable and refined packaging design without breaking the bank. CRA-YONs fragrances have been profiled in the pages of Vogue, Elle, and W Magazine and are 100% Vegan.
about the designer
Founded by Isaac Larose and Florence Provencher Proulx, EDEN Power Corp integrates sustainable solutions into every step of its creative process. Pulling from both science fiction and factual science, the Montreal-based brand extrapolates the ethos of 1960s hippiedom into contemporary products for everyday use. Whether sourcing renewable energy, shipping with public and electric transportation, or using natural wines as dyes, EDEN promotes an eco-conscious lifestyle in line with its sartorial output. Utilitarian jackets, tie-dye shirting, and graphic T-shirts complement carefree accessories like branded caps and shoulder-slung water bottle holders. With all products made in North America from recycled materials, EDEN Power Corp represents a sophisticated and pragmatic approach to environmentally friendly fashion.
about the designer
Founded by Isaac Larose and Florence Provencher Proulx, EDEN Power Corp integrates sustainable solutions into every step of its creative process. Pulling from both science fiction and factual science, the Montreal-based brand extrapolates the ethos of 1960s hippiedom into contemporary products for everyday use. Whether sourcing renewable energy, shipping with public and electric transportation, or using natural wines as dyes, EDEN promotes an eco-conscious lifestyle in line with its sartorial output. Utilitarian jackets, tie-dye shirting, and graphic T-shirts complement carefree accessories like branded caps and shoulder-slung water bottle holders. With all products made in North America from recycled materials, EDEN Power Corp represents a sophisticated and pragmatic approach to environmentally friendly fashion.
about the designer
Based in Barcelona, Rosa Rubio is a multidisciplinary designer currently working in Product, Set Design, Art Direction and Photography projects. Her work follows and explores around plasticity, through materials, shapes and senses. The organic component integrates and becomes the essence of the communication. LOD aims to create a collection of lifestyle elements that are present on the daily scene. The essence of the project is to keep on creating elements through the exploration of new materials and contemporary techniques, relying on artisanal production.Through every project LOD tries to design elements that convey specific values or feelings to those who want to connect with them, providing the aesthetic vision of the moment in which the creator is.
about the designer
Based in Barcelona, Rosa Rubio is a multidisciplinary designer currently working in Product, Set Design, Art Direction and Photography projects. Her work follows and explores around plasticity, through materials, shapes and senses. The organic component integrates and becomes the essence of the communication. LOD aims to create a collection of lifestyle elements that are present on the daily scene. The essence of the project is to keep on creating elements through the exploration of new materials and contemporary techniques, relying on artisanal production.Through every project LOD tries to design elements that convey specific values or feelings to those who want to connect with them, providing the aesthetic vision of the moment in which the creator is.
about the designer
In 2010, designer Ellen Van Dusen launched Dusen Dusen, a womenswear line known for its bold, original prints on versatile, wearable silhouettes. Each season, the Dusen Dusen collection is developed and inspired by fine art, commercial and naïve design, as well as the brain's reaction to color, movement, and contrast. In 2015, the brand expanded with the launch of Dusen Dusen Home, a textile and home goods line that includes bedding, throws, pillows, and towels. Ellen Van Dusen was born and raised in Washington, DC and currently resides in Brooklyn, NY with her dog, Snips.
about the designer
In 2010, designer Ellen Van Dusen launched Dusen Dusen, a womenswear line known for its bold, original prints on versatile, wearable silhouettes. Each season, the Dusen Dusen collection is developed and inspired by fine art, commercial and naïve design, as well as the brain's reaction to color, movement, and contrast. In 2015, the brand expanded with the launch of Dusen Dusen Home, a textile and home goods line that includes bedding, throws, pillows, and towels. Ellen Van Dusen was born and raised in Washington, DC and currently resides in Brooklyn, NY with her dog, Snips.