about the designer
Maison Balzac was created in Australia in 2012 by French-born Elise Pioch Balzac to express her endless imagination. What started as a collection of five perfumed candles has become a homeware world of its own, exploring the beauty of hand-blown coloured glassware, trompe l'oeil linen, colourful platters and unusual fragrances. We invent intriguing and playful objects to trigger emotions around the dining table, transforming the everyday act of eating or drinking into quirky, memorable moments.
about the designer
Maison Balzac was created in Australia in 2012 by French-born Elise Pioch Balzac to express her endless imagination. What started as a collection of five perfumed candles has become a homeware world of its own, exploring the beauty of hand-blown coloured glassware, trompe l'oeil linen, colourful platters and unusual fragrances. We invent intriguing and playful objects to trigger emotions around the dining table, transforming the everyday act of eating or drinking into quirky, memorable moments.
about the designer
Maison Balzac was created in Australia in 2012 by French-born Elise Pioch Balzac to express her endless imagination. What started as a collection of five perfumed candles has become a homeware world of its own, exploring the beauty of hand-blown coloured glassware, trompe l'oeil linen, colourful platters and unusual fragrances. We invent intriguing and playful objects to trigger emotions around the dining table, transforming the everyday act of eating or drinking into quirky, memorable moments.
about the designer
Maison Balzac was created in Australia in 2012 by French-born Elise Pioch Balzac to express her endless imagination. What started as a collection of five perfumed candles has become a homeware world of its own, exploring the beauty of hand-blown coloured glassware, trompe l'oeil linen, colourful platters and unusual fragrances. We invent intriguing and playful objects to trigger emotions around the dining table, transforming the everyday act of eating or drinking into quirky, memorable moments.
Broccoli Bowl, 1985.
about the designer
Marco Zanini graduated in Architecture from the University of Florence in 1976 and completed his studies in the United States. In 1977 he began collaborating with Ettore Sottsass in Milan. Zanini was one of the co-founders of Memphis in 1981, and designed works for all the collections. He designs ceramics, jewelry, furniture, and blown-glass objects. Founder together with Sottsass of Sottsass Associati, he is the Design Manager for many projects: office furniture for well-known brands, residential interiors, showroom interiors, exhibition design, street furniture and industrial products for a wide range of clients in Italy and abroad. He works as architect and designer in Japan, the United States, Australia, New Zealand, Colombia, Chile, and Spain. His works are to be found in numerous museums and private collections. Zanini holds frequent conferences on industrial design. Today he lives and works in São Paulo, Brazil.
Broccoli Bowl, 1985.
about the designer
Marco Zanini graduated in Architecture from the University of Florence in 1976 and completed his studies in the United States. In 1977 he began collaborating with Ettore Sottsass in Milan. Zanini was one of the co-founders of Memphis in 1981, and designed works for all the collections. He designs ceramics, jewelry, furniture, and blown-glass objects. Founder together with Sottsass of Sottsass Associati, he is the Design Manager for many projects: office furniture for well-known brands, residential interiors, showroom interiors, exhibition design, street furniture and industrial products for a wide range of clients in Italy and abroad. He works as architect and designer in Japan, the United States, Australia, New Zealand, Colombia, Chile, and Spain. His works are to be found in numerous museums and private collections. Zanini holds frequent conferences on industrial design. Today he lives and works in São Paulo, Brazil.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
SQ5853816
Calice Vase by Ettore Sottsass
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
SQ5853816
Calice Vase by Ettore Sottsass
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
Carlton Miniature Sculpture
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
Carlton Miniature Sculpture
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
Carrot Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Carrot Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Castagno Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Castagno Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Maison Balzac was created in Australia in 2012 by French-born Elise Pioch Balzac to express her endless imagination. What started as a collection of five perfumed candles has become a homeware world of its own, exploring the beauty of hand-blown coloured glassware, trompe l'oeil linen, colourful platters and unusual fragrances. We invent intriguing and playful objects to trigger emotions around the dining table, transforming the everyday act of eating or drinking into quirky, memorable moments.
about the designer
Maison Balzac was created in Australia in 2012 by French-born Elise Pioch Balzac to express her endless imagination. What started as a collection of five perfumed candles has become a homeware world of its own, exploring the beauty of hand-blown coloured glassware, trompe l'oeil linen, colourful platters and unusual fragrances. We invent intriguing and playful objects to trigger emotions around the dining table, transforming the everyday act of eating or drinking into quirky, memorable moments.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
CHIAOZZA (pronounced “CHOW-zah”) is the collaborative studio of artists Adam Frezza and Terri Chiao. Based in New York City since 2011, the duo’s work explores play and craft across a range of mediums, including painted sculpture, installation, works on paper, public art, and set design. They have exhibited in solo shows at Wave Hill in The Bronx, NY; Vox Populi in Philadelphia, PA; Long Island University in Brooklyn, NY; Owen James Gallery in New York, NY; Cooler Gallery in Brooklyn, NY; CY Fiore in New York, NY; and Westchester Community College in Valhalla, NY, along with numerous group shows in the U.S. and internationally. The studio has installed public artworks in New York City and Gainesville, FL. Together, Frezza and Chiao have been artists-in-residence at Villa Lena (Tuscany, Italy), Kökarkultur (Kökar, Finland), Starry Night (Truth or Consequences, NM), The School of Making Thinking (Delancey, NY), The Lloyd Library (Cincinnati, OH), BRIC Media Arts (Brooklyn, NY), and Shell House Arts (Roxbury, NY),. In 2017, they installed an acre-spanning sculpture garden with 32 large-scale works for the Coachella Arts & Music Festival in Indio, CA.
about the designer
CHIAOZZA (pronounced “CHOW-zah”) is the collaborative studio of artists Adam Frezza and Terri Chiao. Based in New York City since 2011, the duo’s work explores play and craft across a range of mediums, including painted sculpture, installation, works on paper, public art, and set design. They have exhibited in solo shows at Wave Hill in The Bronx, NY; Vox Populi in Philadelphia, PA; Long Island University in Brooklyn, NY; Owen James Gallery in New York, NY; Cooler Gallery in Brooklyn, NY; CY Fiore in New York, NY; and Westchester Community College in Valhalla, NY, along with numerous group shows in the U.S. and internationally. The studio has installed public artworks in New York City and Gainesville, FL. Together, Frezza and Chiao have been artists-in-residence at Villa Lena (Tuscany, Italy), Kökarkultur (Kökar, Finland), Starry Night (Truth or Consequences, NM), The School of Making Thinking (Delancey, NY), The Lloyd Library (Cincinnati, OH), BRIC Media Arts (Brooklyn, NY), and Shell House Arts (Roxbury, NY),. In 2017, they installed an acre-spanning sculpture garden with 32 large-scale works for the Coachella Arts & Music Festival in Indio, CA.
SQ0308787
Colonna Stool by Ettore Sottsass
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
SQ0308787
Colonna Stool by Ettore Sottsass
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
about the designer
Sies Marjan brings the cosmic enigma of creativity to life in color, elevated fabric and relaxed fit. Sies Marjan is a luxury ready-to-wear label based in New York City. Designed by Dutch creative director Sander Lak, it signifies the first names of his father Sies, and his mother Marjan. Established in 2016 with an in-house atelier, Sies Marjan evokes a narrative of color, proportion, and subversive fabrication.
about the designer
Sies Marjan brings the cosmic enigma of creativity to life in color, elevated fabric and relaxed fit. Sies Marjan is a luxury ready-to-wear label based in New York City. Designed by Dutch creative director Sander Lak, it signifies the first names of his father Sies, and his mother Marjan. Established in 2016 with an in-house atelier, Sies Marjan evokes a narrative of color, proportion, and subversive fabrication.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
Fredericks & Mae is a design studio reveling in the art of the gift. They are committed to bringing objects into the world that prompt wide eyes, inexplicable delight, and full body chills. A well chosen gift can be a bolt of connection - a beacon that reminds us of our relationships. They are ever-vigilant for the commodification of joy and the dangers of material accumulation - but love to surround themselves with a few well chosen beautiful things. Every mantle is an altar, each shelf a shrine, a coffee table a collection of things that tell a story about where we come from and where we want to go.
about the designer
The team behind CRA-YON has been creating award winning perfumes for over 12 years in the luxury perfume business. Their focus lies on perfecting the art of perfume making without compromise when it comes to ingredients. They stripped down all excessive elements often used in luxury packaging in order to offer a sustainable and refined packaging design without breaking the bank. CRA-YONs fragrances have been profiled in the pages of Vogue, Elle, and W Magazine and are 100% Vegan.
about the designer
The team behind CRA-YON has been creating award winning perfumes for over 12 years in the luxury perfume business. Their focus lies on perfecting the art of perfume making without compromise when it comes to ingredients. They stripped down all excessive elements often used in luxury packaging in order to offer a sustainable and refined packaging design without breaking the bank. CRA-YONs fragrances have been profiled in the pages of Vogue, Elle, and W Magazine and are 100% Vegan.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Sophie Lou Jacobsen is a French-American designer currently based in New York City. She established her studio in 2019, with an initial focus on objects of everyday use, mostly using glass as a medium and exploring the interaction between object and user. Her work stems from the idea that objects have an innate power to enhance their user's mood through form and function. She focuses on simple objects and rituals, to see how she can alter these in ways that are surprising, delightful, and elevate the user experience. She believes that the objects which we surround ourselves with can and should be imbued with a certain poetry, creating a relationship between humans and objects built on mutual respect.
about the designer
Matteo Guarnaccia is a Sicilian designer based in Europe. After studying design in Barcelona, he had work experiences in Los Angeles and Madrid. Bouncing around inside an artistic environment he had the opportunity to expand his visions and thoughts in different artistic fields, such as graphic design and music. Numerous travel experiences helped Matteo to have a wider understanding on his surrounding, pushing him to learn from any new input. Believing on the true necessity of problem solving, he uses all different communication tools in order to bring a solution to the problem, that might be small, but eventually make a bigger difference in a wider impact. Matteo is currently applying his creative services, from graphic designs projects to products, only when is truly needed, while keep learning and smiling. Matteo is happy to have worked and collaborated with Tate Modern Exchange, CERN, Kvadrat China, Curro Claret, The Institute for PostNatural Studies, The Museum of Modern Art of Rio de Janeiro-Brazil, The National Gallery of Modern Art of Mumbai-India, Archivo y Arquitectura Mexico City- Mexico, the Macan Museum Jakarta-Indonesia, the African Artists Foundation in Lagos- Nigeria and many more.
about the designer
Matteo Guarnaccia is a Sicilian designer based in Europe. After studying design in Barcelona, he had work experiences in Los Angeles and Madrid. Bouncing around inside an artistic environment he had the opportunity to expand his visions and thoughts in different artistic fields, such as graphic design and music. Numerous travel experiences helped Matteo to have a wider understanding on his surrounding, pushing him to learn from any new input. Believing on the true necessity of problem solving, he uses all different communication tools in order to bring a solution to the problem, that might be small, but eventually make a bigger difference in a wider impact. Matteo is currently applying his creative services, from graphic designs projects to products, only when is truly needed, while keep learning and smiling. Matteo is happy to have worked and collaborated with Tate Modern Exchange, CERN, Kvadrat China, Curro Claret, The Institute for PostNatural Studies, The Museum of Modern Art of Rio de Janeiro-Brazil, The National Gallery of Modern Art of Mumbai-India, Archivo y Arquitectura Mexico City- Mexico, the Macan Museum Jakarta-Indonesia, the African Artists Foundation in Lagos- Nigeria and many more.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.
about the designer
Sticky is a New York based design company developed by Grace Whiteside that specializes in multi-functional, performative and collaborative glasswork. All of their glass is hand-blown and often made to order in Brooklyn, NY. Grace recently collaborated with Kelly Wearstler and now Son of Rand.
about the designer
Donald Judd was an American artist, whose rejection of both traditional painting and sculpture led him to a conception of art built upon the idea of the object as it exists in the environment. Judd's works belong to the Minimalist movement, whose goal was to rid art of the Abstract Expressionists' reliance on the self-referential trace of the painter in order to form pieces that were free from emotion. To accomplish this task, artists such as Judd created works comprising of single or repeated geometric forms produced from industrialized, machine-made materials that eschewed the artist's touch. Judd's geometric and modular creations have often been criticized for a seeming lack of content; it is this simplicity, however, that calls into question the nature of art and that posits Minimalist sculpture as an object of contemplation, one whose literal and insistent presence informs the process of beholding.
about the designer
Donald Judd was an American artist, whose rejection of both traditional painting and sculpture led him to a conception of art built upon the idea of the object as it exists in the environment. Judd's works belong to the Minimalist movement, whose goal was to rid art of the Abstract Expressionists' reliance on the self-referential trace of the painter in order to form pieces that were free from emotion. To accomplish this task, artists such as Judd created works comprising of single or repeated geometric forms produced from industrialized, machine-made materials that eschewed the artist's touch. Judd's geometric and modular creations have often been criticized for a seeming lack of content; it is this simplicity, however, that calls into question the nature of art and that posits Minimalist sculpture as an object of contemplation, one whose literal and insistent presence informs the process of beholding.